Who are these hipsters we see each day in the streets, on our Tumblr feeds, and on the local news? And why are so many in bands? It's not the mere existence of hipster groups that distresses us -- some of our best friends are hipsters, after all -- it's their lemming-like tendency to, if you'll pardon a mixed metaphor, ape each other.
On its surface hipsterdom seems to be an individuality-grab, but most of today's 20 and 30-something bands from Silver Lake and Williamsburg sound shockingly similar. They're all playing variations of retro garage and soul music -- or bringing glockenspiels and choirs on incestuous nationwide tours -- all the while clad in vintage garb likely infested with lice. We're not saying that they should be outlawed by, like, Congress or something. Just that they should be avoided. Here then, is our field guide to the worst offenders. -Ben Westhoff
The Black Keys
20. The Black Keys The guitar-and-drums "blues" punk combo thing wasn't very good even when The White Stripes did it. Still, that hasn't stopped legions of bearded, be-flanneled ersatz blues men from bringing great shame upon their ancestors. The Black Keys stand at the very vanguard of posh cracker blues rock, displaying a lack of authenticity that would make John Fogerty blush. Further, whereas Jack White can actually play, Black Keys guitarist Dan Auerbach is more concerned with beard grooming and disheveling his hair. -Nicholas Pell
TV On The Radio
19. TV On The Radio Sure, TV on the Radio concocted an original aesthetic, but it was so hideous we should be glad no one thought of it before. The supposed "soul"-indie fusion of their early work is walled up by rigor mortis drum machines, off-the-grid falsettos and drab, moaning textures. This wasn't helped by their look-at-us Pixies cover or calling their first record OK Calculator. Band member-producer David Sitek has even managed to make Scarlett Johanssen sound ugly. -Dan Weiss
18. Sleigh Bells Remember in 2010, when we all lost our collective minds over these guys, with their iPod beats, garage-metal guitars and schoolyard-chant vocals? It was, like, the most original sound ever! Then the second album came out and everyone was more like, "Huh. Actually, this kinda sounds like shit." Also, Alexis Krauss started wearing her own band merch at shows, which you're really only allowed to do if you're Morrissey. -Andy Hermann